Three piece purple leather art deco lounge suite (cushions not included).

Contrasted with cream piping.

A three seater sofa, armchair and matching footstool.

It is the Normandie design made some years ago by Scandecor in Brighton.

Sofa: 78 inches (198cm) wide, 36 inches (91cm) deep, 32 inches (81cm) high.

Chair: 36 inches (91cm) wide, 36 inches (91cm) deep, 32 inches (81cm) high.

Foot stall: 21 inches (53cm) wide, 21 inches (53cm) deep, 16 inches (41cm) high.

In good used condition. A few age related marks but still in good condition.

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Hand painted.

Made by the Czech company of Royal Dux. Marked to the back Czech and bearing the model number 15172.

It measures 7.5 inches (19cm) high.

Condition is good with a few age related small chips on the top edge of the hat.

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Jean Borlin, formerly ballet master and principal dancer of the Swedish Ballet and a director and teacher of dancing. He died in New York at a young age of only 35.

He was the head of the Jean Borlin School of the Dance, which he conducted in the Studio des Champs Elysées, Paris.

The poster is old and as such has some foxing staining the the back.

16.5 inches (42cm) wide, 23 inches high (58.5cm).

In good vintage condition with no rips or tears.

Unframed.

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Circa 1925

Measures 18 inches (45.4cm) high.

Mounted on a black marble base.

Signed to the bronze socle.

Originally sold in Christie's, London, 16 December 1987, lot 115

This same model can be seen on the cover and on page 209 of the 1978 Catley book on Art Deco and other figures.

Condition is good

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Circa 1934 It measures a large 12 inches (30.5cm) wide x 11.5 inches (29cm) high x 4.5 inches (11.5cm) deep.

Marked with its original essevi paper label and signed Essevi made in Italy to the inside.

Condition is good with just a few tiny glaze nicks to the edges and one on the monkeys tail.

Vacchetti was an art director at Lenci prior to 1934 when he founded Essevi Ceramics; the name Essevi was taken from his initials. He would run Essevi from 1934 to 1952 in Turin and the company would only produce top rated pieces for their wealthy collectors. The company centred around the celebration and exploration of female and modern female myths. Vacchetti would gain great popularity and admiration during the late 1930s and was a highly regarded artist. The Second World War and the following years would bring about many issues for Essevi, during the war the factory was bombed and production had to stop while the factory was rebuilt and following the war the availability of colours for his ceramic pieces was vastly limited. Vacchetti would retire to his country home outside of Turin in 1952.

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